Innovative Patch Ideas for Behringer Crave + TD-3 with CV Tutorial

Table of Contents

1. Introduction
2. Connecting Multiple Behringer Synths
3. Syncing with USB and MIDI
4. Using Behringer Crave and TD-3 Together
5. Overcoming Low-End Conflicts
6. Solo Sound Examples of Crave and TD-3
7. Connecting Gate Output to the Sequencer Hold Input
8. Connecting Gate Output to Reset Input
9. Connecting Gate Output to Envelope Gate Input
10. Connecting Gate Output to Filter Input
11. Connecting CV Output to Oscillator Modulation
12. Connecting CV Output to Filter Input
13. Connecting CV Output to LF4 Rate Input and LF4 to Filter Input
14. Sending Signals from Crave to TD-3
15. Connecting Filter Input on TD-3 to LF4 Output on Crave
16. Connecting Oscillator Output to Filter Input
17. Adding Noise from Crave to TD-3
18. Connecting Filter Output to Filter Input

Exploring the Connections and Combinations of Behringer Crave and TD-3

Behringer synths have gained significant popularity among musicians for their affordability and versatility. In this article, we will explore the possibilities of connecting multiple Behringer synths, with a focus on the Behringer Crave and TD-3 models. We will discuss the various connections and combinations that can be made between these two synths, allowing You to Create unique sounds and sequences. Whether you are a beginner or an experienced musician, this guide will provide valuable insights into maximizing the potential of your Behringer synths.

Introduction

Before we dive into the world of connections and combinations, let's briefly discuss why it is beneficial to connect multiple Behringer synths. Many musicians own more than one Behringer synth, and exploring different ways to connect them opens up a world of possibilities for creating unique sounds and compositions. Both the Behringer Crave and TD-3 models have CV inputs and outputs, which can be used to connect and synchronize them with each other.

Connecting Multiple Behringer Synths

In this section, we will explore the different ways in which you can connect multiple Behringer synths, focusing specifically on the Behringer Crave and TD-3 models. We will discuss the options available for syncing the synths using USB and MIDI connections. Additionally, we will cover important considerations, such as overcoming low-end conflicts between the synths.

Syncing with USB and MIDI

One of the key benefits of modern synthesizers is their ability to sync with each other, ensuring precise timing and synchronization. Both the Behringer Crave and TD-3 models come equipped with USB connectivity, allowing you to sync them with your computer. By connecting the synths to your computer via USB and using software such as Ableton Live, you can easily synchronize the sequence playback between the two synths.

Alternatively, you can use MIDI cables to send clock signals from one synth to another. This method allows you to sync the tempo between the synths without relying on a computer. Simply connect one synth's MIDI output to the MIDI input of the other synth. Experiment with both USB and MIDI connections to determine which method is most suitable for your setup.

Using Behringer Crave and TD-3 Together

The Behringer Crave and TD-3 synths complement each other perfectly, offering a wide range of Sonic possibilities when used together. However, it is important to note that using both synths for bass can lead to conflicts in the low-end frequencies. To overcome this issue, it is recommended to designate one synth as the bass machine and use the other synth for complementary sounds, such as lead or higher octave melodies. By doing so, you can create a more balanced and Cohesive sound.

Solo Sound Examples of Crave and TD-3

Before we Delve into the various connections and combinations, let's take a moment to listen to the individual sounds of the Behringer Crave and TD-3 synths. This will provide a clear reference point for how the sequences and sounds are transformed when the synths are connected together.

The Behringer Crave produces a clear and precise sound, perfect for creating melodic sequences. On the other HAND, the TD-3 synth has a distinct character, known for its rich and powerful bass. By exploring the solo sounds of each synth, you can better appreciate the unique qualities they bring to a musical composition.

To listen to the solo sounds of the Crave and TD-3 synths, visit the links provided in the video description or comments section.

Connecting Gate Output to the Sequencer Hold Input

One of the fundamental connections you can make between the Crave and TD-3 synths is to connect the gate output from the TD-3 to the sequencer hold input on the Crave. This connection allows you to freeze a step in the sequence when a gate signal is received. By experimenting with different gate inputs, you can create intricate and evolving sequences.

Connecting Gate Output to Reset Input

Another connection option is to connect the gate output from the TD-3 to the reset input on the Crave. When a gate signal is received, the sequence on the Crave will reset to the starting point. This connection allows for interesting rhythmic variations and provides a way to synchronize the sequences between the two synths.

Connecting Gate Output to Envelope Gate Input

To introduce unpredictable and interesting accents to your sequences, you can connect the gate output from the TD-3 to the envelope gate input on the Crave. This connection causes the gate signal from the TD-3 to open the filter and influence the volume of the Crave synth. The results are a unique Blend of textures and dynamics in your sequences.

Connecting Gate Output to Filter Input

A fascinating connection to explore is to connect the gate output from the TD-3 to the filter input on the Crave. This connection opens up the filter and adds accents to your sequences. By adjusting the settings, you can achieve a wide range of sounds, from subtle variations to more pronounced filter modulation.

Connecting CV Output to Oscillator Modulation

By connecting the CV output from the TD-3 to the oscillator modulation input on the Crave, you can achieve modulation of the Crave's pitch. This connection enhances your sequences with a melodic layer, creating a richer and more expressive sound. Experiment with different waveforms and modulation sources to achieve various musical effects.

Connecting CV Output to Filter Input

Connecting the CV output from the TD-3 to the filter input on the Crave opens up new possibilities for manipulating the filter. As the notes in your sequence increase, the filter will open wider, resulting in a dynamically evolving sound. This connection allows for expressive and dynamic control over your sequences.

Connecting CV Output to LF4 Rate Input and LF4 to Filter Input

To introduce randomness and unpredictability to your sequences, connect the CV output from the TD-3 to the LF4 rate input on the Crave. By adjusting the LF4 settings, you can create glitchy and unconventional sounds. This connection is particularly useful if you want to add a touch of chaos to your compositions.

Sending Signals from Crave to TD-3

While we have primarily focused on sending signals from the TD-3 to the Crave, it is also possible to send signals from the Crave to the TD-3. By experimenting with different connections within the Crave itself and then communicating those signals to the TD-3, you can achieve even more complex and interesting results. The potential for unique timbres and sounds is vast, and your exploration with these connections will yield exciting and unpredictable results.

Connecting Filter Input on TD-3 to LF4 Output on Crave

One interesting connection is to send the filter output from the Crave to the filter input on the TD-3. This connection will result in a harmonious blend of sequences from both synths, creating a unified and textured sound. By adjusting the settings, you can manipulate the timbre and character of the combined sequences.

Connecting Oscillator Output to Filter Input

To add another layer of complexity to your sequences, connect the oscillator output from the Crave to the filter input on the TD-3. By doing so, you can create new sonic possibilities, as the TD-3 sequence interacts with the synthesized sound from the Crave's oscillator. Experiment with different waveforms and filter settings to achieve desired effects.

Adding Noise from Crave to TD-3

An interesting connection to explore is to send noise from the Crave to the TD-3. By connecting the noise output to the filter input on the TD-3, you can add a distinctive accent or percussion element to your sequences. This connection works particularly well for creating snare-like sounds. Experiment with the level of noise and the filter settings to find the perfect balance for your compositions.

Connecting Filter Output to Filter Input

Finally, you can connect the filter output from the Crave to the filter input on the TD-3. This connection allows you to sculpt and Shape the combined sequences, adding unique textures and tonal variations. Experiment with different filter settings and modulation sources to create a wide array of sounds and sequences.

Throughout this article, we have explored various connections and combinations of the Behringer Crave and TD-3 synths. By using these connections creatively, you can unlock new sonic possibilities and enhance your music production process. Don't be afraid to experiment and let your imagination guide you as you navigate the world of Behringer synths.

Highlights

• Explore the possibilities of connecting multiple Behringer synths, specifically the Crave and TD-3 models.
• Sync your synths using USB and MIDI connections to ensure precise timing and synchronization.
• Overcome low-end conflicts by designating one synth as the bass machine and using the other for complementary sounds.
• Experiment with different connections, such as connecting gate outputs to sequencer hold and reset inputs.
• Connect CV outputs to modulate pitch, filter, oscillator modulation, LF4 rate, and more.
• Explore the potential of sending signals from the Crave to the TD-3 for even more complex results.
• Add noise, filter outputs, and oscillator outputs to your sequences for unique textures and accents.

Frequently Asked Questions (FAQs)

Q: Can I connect multiple Behringer synths without a computer? A: Yes, you can use MIDI cables to synchronize multiple Behringer synths without relying on a computer. Simply connect the MIDI output of one synth to the MIDI input of the other synths.

Q: How do I overcome low-end conflicts when using multiple Behringer synths for bass? A: To avoid conflicts in the low-end frequencies, designate one synth as the bass machine and use the other synth for higher octave melodies or complementary sounds. This will ensure a more balanced and cohesive sound.

Q: Can I connect the Behringer Crave and TD-3 synths with other synths from different brands? A: Yes, the connections and concepts discussed in this article can be applied to connecting Behringer synths with synths from different brands. However, it is important to ensure compatibility and understand the specific features and functions of each synth.

Q: Can I use the connections Mentioned in this article during live performances? A: Yes, the connections mentioned in this article can be made during live performances. Experiment with different connections and combinations to add depth and complexity to your live performances without the risk of clicks or distortion.

Q: Is it possible to connect multiple Behringer synths and create complex patches within the synths themselves? A: Yes, in addition to connecting Behringer synths, you can also create complex patches and connections within each synth individually. By combining both internal and external connections, you can achieve even more intricate and unique results.

Q: Can I use the connections mentioned in this article with other Behringer synths, such as the Neutron? A: Yes, the connections discussed in this article can be applied to other Behringer synths, such as the Neutron, to create interesting and complex sound combinations. Experiment with different connections and explore the possibilities of each synth in your setup.