Master Logic Pro X: Set Up MIDI Controllers for DAW Mix Control

Table of Contents

1. Introduction
2. Converting a MIDI Controller into a Dock Controller
3. The Difference between MIDI Controllers and Mix Controllers
4. Setting Up a MIDI Controller as a Mix Controller in Logic Pro
   1. Clearing Controller Assignments
   2. Configuring Automation Quick Access
   3. Assigning Controls for Volume, Pan, and Sends
   4. Troubleshooting Controller Values
5. Assigning Controls for Mute and Solo
6. Setting Up Banking for Channel Selection
7. Assigning Controls for Record Enable and Input Monitoring
8. Configuring Transport Controls
   1. Assigning Controls for Play, Stop, and Rewind
   2. Enabling Cycle Mode
   3. Assigning Control for Record
9. Benefits of Using a MIDI Controller as a Mix Controller
10. Conclusion

Converting a MIDI Controller into a Dock Controller for Logic Pro

With the wide range of MIDI controllers available, it's now possible to repurpose a simple MIDI controller into a dock controller for controlling various aspects of your mix in Logic Pro. While MIDI controllers are primarily designed for inputting musical notes, modulation, and other parameters, they can also be utilized as a mix controller with the right setup. In this article, we will explore the process of converting a MIDI controller into a dock controller in Logic Pro. We will cover the differences between MIDI controllers and mix controllers, the step-by-step setup process, and the benefits of using a MIDI controller as a mix controller.

1. Introduction

Introduce the concept of converting a MIDI controller into a dock controller for Logic Pro and the benefits it offers. Briefly mention the setup process and the topics that will be covered in the article.

2. Converting a MIDI Controller into a Dock Controller

Explain the process of converting a MIDI controller, such as the Ovation Launchkey 25, into a dock controller. Highlight that this is a workaround to use a small format MIDI controller as a mix controller, not a substitute for a dedicated control surface.

3. The Difference between MIDI Controllers and Mix Controllers

Discuss the key differences between MIDI controllers and mix controllers, emphasizing that MIDI controllers are primarily designed for musical input while mix controllers are specifically built for controlling the mix in a DAW.

4. Setting Up a MIDI Controller as a Mix Controller in Logic Pro

Provide a step-by-step guide on setting up a MIDI controller as a mix controller in Logic Pro. Cover the following subheadings:

4.1 Clearing Controller Assignments

Explain the importance of starting with a clean slate and clearing any existing controller assignments in Logic Pro.

4.2 Configuring Automation Quick Access

Demonstrate how to configure the automation quick access feature in Logic Pro to ensure that the MIDI controller's actions are only applied to the selected channel.

4.3 Assigning Controls for Volume, Pan, and Sends

Walk through the process of assigning the MIDI controller's fader and knobs to control volume, pan, and send amounts for the selected channel. Address any troubleshooting tips for ensuring accurate control values.

4.4 Troubleshooting Controller Values

Highlight common issues that users may encounter with controller values and provide troubleshooting tips to resolve them. Emphasize the importance of catching the value of the previous channel before adjusting the control on a new one.

5. Assigning Controls for Mute and Solo

Explain how to assign controls on the MIDI controller for muting and soloing the selected channel. Address any issues with sensitivity and provide guidelines for setting the control values.

6. Setting Up Banking for Channel Selection

Guide users through the process of setting up banking controls on the MIDI controller to navigate between channels efficiently without relying on the mouse or keyboard.

7. Assigning Controls for Record Enable and Input Monitoring

Describe how to assign controls on the MIDI controller for record enable and input monitoring. Outline the benefits of having these controls readily accessible during the mixing process.

8. Configuring Transport Controls

Explain the process of assigning controls on the MIDI controller for various transport functions, such as play, stop, rewind, and cycle mode.

8.1 Assigning Controls for Play, Stop, and Rewind

Walk users through the steps of assigning controls on the MIDI controller for play, stop, and rewind functions. Consider the option of assigning a control for fast rewind to navigate the project quickly.

8.2 Enabling Cycle Mode

Demonstrate how to assign a control on the MIDI controller to toggle cycle mode, which is a useful feature for repeating a specific section during the mixing process.

8.3 Assigning Control for Record

Explain how to assign a control on the MIDI controller for the record function, allowing users to arm channels and initiate recording directly from the MIDI controller.

9. Benefits of Using a MIDI Controller as a Mix Controller

Discuss the advantages of using a MIDI controller as a mix controller, including increased workflow efficiency, tactile control, cost-effectiveness, and the ability to repurpose existing equipment.

10. Conclusion

Summarize the process and benefits of converting a MIDI controller into a dock controller for Logic Pro. Encourage readers to explore the possibilities of using their MIDI controllers for mix control and experiment with customization Based on their specific needs and preferences.