Produce Epic Music with Ableton - Extracting MIDI from Synthesizer Arpeggiators

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Produce Epic Music with Ableton - Extracting MIDI from Synthesizer Arpeggiators

Table of Contents:

  1. Introduction
  2. Recording MIDI from third-party VSTs 2.1. Capturing timing and octave intervals 2.2. Bouncing down into MIDI
  3. Ableton's stock routing limitations 3.1. Non-routable internal arpeggiation engines
  4. Capturing information using a third-party synthesizer
  5. Testing different conversion methods 5.1. Harmony vs. melody conversion 5.2. Complex arpeggiation patterns 5.3. Limitations of pitch bending
  6. Conclusion

Introduction

In this article, we will be discussing the process of recording MIDI from third-party VSTs using Ableton Live. Specifically, we will explore how to capture the timing and octave intervals of arpeggiators and bounce them down into MIDI. However, it is important to note that there are certain limitations and challenges when it comes to Ableton's stock routing capabilities, especially with non-routable internal arpeggiation engines found in some synthesizers. To overcome these limitations, we will also Delve into alternative methods of capturing MIDI information using third-party synthesizers. We will conduct tests to compare the effectiveness of different conversion methods, such as harmony versus melody conversion and handling complex arpeggiation Patterns. Additionally, we will address the limitations of capturing pitch bending information and provide insights on how to work around these obstacles. By the end of this article, You will have a comprehensive understanding of how to Record MIDI from third-party VSTs in Ableton Live and overcome any potential challenges along the way.

Recording MIDI from Third-Party VSTs

When working with third-party VSTs in Ableton Live, one common task is to record MIDI information generated by arpeggiators. This allows us to capture the unique timing and octave intervals created by the arpeggiator and use them in our productions. To achieve this, we need to first understand the process of recording MIDI from third-party VSTs.

Capturing Timing and Octave Intervals

In the previous tutorial video, we discussed the basics of recording MIDI from third-party arpeggiators using Ableton's stock routing functionality. By selecting the VST on a MIDI track and arming it, we were able to record the generated MIDI information accurately. However, it is essential to note that this method may not work in all scenarios.

Bouncing Down into MIDI

In Ableton's stock routing functionality, we typically Create a MIDI track and select the desired third-party VST, such as Cthulhu, from the available options. We then arm the track and initiate the recording process. This allows us to bounce down the arpeggiation information into MIDI format, which we can further manipulate and incorporate into our projects.

Ableton's Stock Routing Limitations

Although Ableton's stock routing functionality is an effective method for capturing MIDI from some third-party arpeggiators, it is important to acknowledge its limitations. In certain scenarios, particularly when working with synthesizers that have non-routable internal arpeggiation engines, this method may not be applicable.

Non-Routable Internal Arpeggiation Engines

Developers of some synthesizers choose to use arpeggiators as internal engines instead of routing them out to the DAW. This can result in compatibility issues with Ableton's stock routing functionality. Consequently, it becomes challenging to capture the MIDI information generated by the arpeggiator.

Capturing Information Using a Third-Party Synthesizer

To overcome the limitations posed by non-routable internal arpeggiation engines, we need to explore alternative methods of capturing MIDI information using third-party synthesizers. By utilizing these synthesizers, we can still extract valuable MIDI data from the arpeggiators and incorporate it into our productions effectively.

Testing Different Conversion Methods

In order to find the most suitable conversion method, we will conduct tests using a variety of approaches. One of the primary areas of focus will be comparing the results of converting arpeggiation patterns to either harmony or melody.

Harmony vs. Melody Conversion

In our experimentation, we discovered that basic arpeggiation patterns tend to yield better results when converted to harmony. Conversely, more complex patterns, involving octaves and tight timing intervals, often benefit from melody conversion. It is important to note that individual results may vary, so it is advisable to experiment with both methods to determine the best approach for your specific situation.

Complex Arpeggiation Patterns

For complex arpeggiation patterns, it is crucial to delve deeper into the conversion process. By freezing and flattening the audio, we can obtain raw audio data that can be converted into MIDI. However, it is important to remember that pitch bending and subtle nuances may not be accurately captured in this process.

Limitations of Pitch Bending

Unfortunately, Ableton's conversion method does not work well with pitch bending information. This means that if your arpeggiation involves sliding or gliding notes, the resulting MIDI may not contain the pitch bend information. It is crucial to keep this limitation in mind and avoid relying on Ableton's conversion for intricate pitch bending patterns.

Conclusion

In conclusion, recording MIDI from third-party VSTs in Ableton Live requires both an understanding of the stock routing functionality and the limitations associated with it. By exploring alternative methods, such as using third-party synthesizers, we can overcome these limitations and capture the necessary MIDI information. Through testing and experimentation, we can determine the most suitable conversion methods for different types of arpeggiation patterns. It is important to remember that while Ableton Live offers powerful tools, there may be certain limitations to consider. By keeping these factors in mind, you can successfully record MIDI from third-party VSTs and enhance your music production capabilities.

Highlights:

  • Learn how to record MIDI from third-party VSTs in Ableton Live
  • Understand the limitations of Ableton's stock routing functionality
  • Discover alternative methods of capturing MIDI information using third-party synthesizers
  • Explore different conversion methods for arpeggiation patterns
  • Overcome the limitations of pitch bending in Ableton Live's conversion process

FAQ:

Q: Can I record MIDI from any third-party VST in Ableton Live? A: While Ableton's stock routing functionality is effective in most cases, it may not work with synthesizers that have non-routable internal arpeggiation engines. In such cases, alternative methods must be employed.

Q: Are there any limitations to Ableton's conversion process for MIDI recording? A: Ableton's conversion process may not accurately capture pitch bending information. It is important to keep this limitation in mind when working with arpeggiation patterns involving sliding or gliding notes.

Q: What are the advantages of using third-party synthesizers for capturing MIDI information? A: Third-party synthesizers offer an alternative solution for recording MIDI from arpeggiators. They can help overcome the limitations of Ableton's stock routing functionality and ensure accurate capture of timing and octave intervals.

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